Introduction written by Ken Tickner:

Anne Mclellan’s breadth of experience in pottery is unique and extensive. A lifelong artist, Anne has studied at the Nova Scotia College of Art and the Alberta College of Art where she did exceptionally well academically receiving critical acclaim from scholars and viewers. While traveling the globe she attended a pottery workshop at the historic Leach Pottery in Cornwall, England. Anne’s work ranges from functional pieces such as bowls, mugs, and vases to works of sculpture such as birds and fish. Her pottery incorporates her imagination and skill in creating fun and interesting techniques, surfaces, shapes and colour. Anne also does commission work for customers. Anne is currently based in Regina, Saskatchewan, and her work can be found in various locations in Saskatchewan, including Traditions, the SCC Boutique in Regina, Moose Jaw Art Museum Shop and the Handwave Gallery at Meacham.
 
 
 
 

Interview with Anne Mclellan

Anne Mclellan Pottery

What kind of artwork do you create?

I make colorful functional and sculptural pottery, inspired by nature, made to bring joy to daily life.
 
 

 

 
 

What first drew you to your medium?

I loved the idea of taking clay and making something I could use. The first piece I wanted to make was a mug. I was fascinated with how the clay changed from one state to another through firing.
 
 

Where did you learn your craft?

I took community classes at the University of Regina with Wayne Pollock and Donovan Chester. I then went to the Nova Scotia College of Art and later the Alberta College of Art and Design.
 

 

 
 

What is the inspiration behind your work?

My work has always been inspired by traditional studio pottery form and function. Artists who have inspired me have been Walter Ostrom and Janice Tchalenko. Both use color in different ways.
 
 

What do you hope people will gain from interacting with your work?

I hope when they pick it up they will see all parts of it, that it feels good and see that some time was put into each piece.
 
 
 

 

 

How do you get through artist’s block?

I listen to music, draw, paint, go for a walk, go to an art gallery.
 
 

Who are your mentors?

Lois Kurp, Donovan Chester, Marlene Jones
 
 

Tell us a story about a particular piece:

During the pandemic I took an online workshop called Painting with Scissors Matisse. I wanted to see if that would translate to clay. So I created a piece inspired by the course. I made a platter because of the surface area. The piece did generate some new ideas in terms of pattern and space.
 
 
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How has your art/craft practice changed over time?

It has changed a lot. I started working with stoneware and porcelain many years ago, then began using earthenware and using color. I am presently going back to working and experimenting with porcelain and stoneware clays and glazes. I want to incorporate the ideas I used in earthenware in a higher firing material.
 
 

Who are your art heroes or current influences?

My favorite ceramic artists are Jim Smith from Nova Scotia and Zachari Logan. When I have been able to travel to different places I take in as much as I can in seeing local artists and visiting galleries.
 
 

 

 

What are you currently working on?

I am currently working on new work in cone 6 stoneware and porcelain. I have been testing clays and glazes.
 
 

What is your typical studio day routine?

I work in a cycle, so pieces are thrown or handbuilt, next day they are trimmed, handles added etc. Then they go through a bisque firing and then are glazed and decorated, fired. It takes about 7 days to complete a cycle.